The Best Guitar Player in Texas

by gRj

They say you’re dying—
but the morning doesn’t know it,
still spilling gold through your window,
still begging for your rusty guitar.

You count your breaths like old guitar strings,
yet somehow—
there’s always one left
to hum the chorus of Wild Horses,
one more to pluck the notes
that slip like loose change
through your fingers,
but never quite vanish.

And if death is a door,
it’s stuck halfway open,
and you’re neither coming nor going—
just leaning on the jamb,
tuning that old six-string
to a key only the wind understands.

Men who are done with living
don’t name the birds at their feeders.
They don’t laugh when the rain
soaks through their boots,
or grin at the nurse
who calls them honey
and means it.

You measure time in coffee stains,
in snapped strings and calloused thumbs,
in the way your voice,
roughened to gravel,
still finds the high notes—
a hand groping for the light switch
in a familiar dark.

Dedicated to George in Austin

George’s Song

by gRj

For the man who carried home on his back,
and hummed his way through the dark—

You were a wildfire in a body
that wouldn’t burn slow—
lungs like paper lanterns,
still glowing where the wind tore holes.

The woods knew you first:
your tent a cathedral of rain,
your bicycle a steel-winged bird
that never left the ground.

(How many winters did you pedal,
wheels spinning hymns between your ribs,
chain rusted with the weight
of all the roads you couldn’t stay on?)

Then—miracles in small type:
four walls, a key, a car
that started when you turned it.
You rolled the windows down
just to feel the world move with you,
not past.

Now the emphysema comes
like a thief you’ve learned to name.
You laugh around the oxygen hose,
pluck your guitar till your fingers stiffen,
sing till the notes fray
into something too honest
to call music.

Oh, George,
they’ll never understand
how a man who’s been untethered
so long can strum the light
clean through the cracks—
your voice a stubborn knot
holding the sky to the tree line,
holding the road to its promise:
Forward. Always forward.

The Weave Remembers

There is a thread that runs through all,
Unseen, but older than the stars—
A sacred weave of soul and soil,
Of whispered truths and ancient scars.

It binds the humble to the high,
The farmer’s hand to banker’s pen,
The child’s cry to prophet’s sigh,
The now to all that’s ever been.

Some pull the thread for selfish weight,
Unraveling others to climb fast—
They weave with gold and trade in fate,
And think the fabric will not last.

But spirit does not sleep for long,
Nor turn its face from what is done.
The silent loom, though slow, is strong,
And justice spins for everyone.

The ones who feast while others break,
Who laugh while stealing from the poor—
Will find their riches turn to ache,
Their doors unguarded, threadbare, torn.

For every soul mistreated here,
A knot is tied in hidden space.
And when the wind of truth draws near,
The thread will find its rightful place.

So take what’s yours, but not what’s owed,
And walk the earth with open hands.
The weave remembers every load—
And rights the loom by its commands.

-gRj

Nothing New Under the Sun

by gRj

In a world where lies are laws: no regime, however oppressive, can erase the truth in the hearts of the people. The Party may control the present, but we, the free, control the past—and from it, the future. 

The regime thrives not by defeating its enemies, but by playing upon the differences between the people—keeping them isolated in their struggles, so they never see the power they could have if they stood united.

In the Civil War, the powerful used race to divide, convincing the poor to fight for the wealth of the few. The rich knew: as long as they could keep poor whites focused on differences, they would never see the true enemy—the system that oppressed them all.

During the Great Depression, economic hardship affected millions of Americans. However, politicians and business leaders, particularly during the 1930s, used scapegoating to divert blame for the economic crisis. Immigrants, African Americans, and other marginalized groups were often blamed for stealing jobs or resources.

During the Cold War, the U.S. government, under figures like Senator Joseph McCarthy, stoked fear of communism to suppress political dissent and labor movements. The government used anti-communist hysteria to label left-wing activists, labor leaders, and intellectuals as unpatriotic or even traitors, forcing many into silence or submission.

The War on Drugs has been another major example where race and class divisions were manipulated to create and maintain a criminal underclass. Although drug use is prevalent across all socioeconomic groups, law enforcement disproportionately targeted Black and Latino communities, leading to mass incarceration, particularly under the 1980s Reagan administration.

From the post-Reconstruction period to today, voter suppression has been a tactic used to limit the political power of certain groups, particularly African Americans, immigrants, and the poor. Practices like poll taxes, literacy tests, and modern voter ID laws disproportionately affect marginalized communities, making it harder for them to vote.

The labeling of political and economic systems such as capitalism, socialism, and communism has often been a method for framing debates in a way that fosters polarization. Instead of focusing on the actual outcomes of these systems, the labels themselves are used to define the value of the system—either as a shining example of human progress or as a dystopian nightmare.

Cold War Rhetoric: During the Cold War, for example, the U.S. government framed communism (especially the Soviet model) as an existential threat to freedom, democracy, and human dignity, while capitalism and the American system were depicted as the ultimate form of freedom and prosperity. This binary of “good vs. evil” made it easier to dismiss the complexities of both systems and keep citizens in a constant state of ideological opposition.

Political Polarization: In many countries, political elites use the terms “socialist” and “communist” as a form of fearmongering. In the U.S., for example, calling someone a “socialist” can evoke a visceral negative reaction, even if their policies or ideas do not align with traditional socialist thought. Conversely, in other parts of the world, capitalism is painted as the enemy of the people, blamed for economic inequality and exploitation.

George Orwell in 2025

by gRj

There are those who see the world unravel,

who feel the weight of truth in their bones.

They reach for others—not out of duty,

but because the soul remembers we are not meant to stand alone.

There are those who see as well,

but turn away.

They build walls from fear and profit,

calling it wisdom.

Their eyes are mirrors of their own desire.

And then—

there are the many caught between,

not heartless, but hidden from the light.

Told what to fear, taught whom to blame,

they march to songs not of their making.

This is the shape of our time:

The caring,

the cunning,

and the carried.

But lines are not cages.

A whisper of truth, a flicker of love,

and even the deepest sleeper can wake.

-by gRj

The Atlas of Her

by gRj

They say you didn’t love them right—
(the ones who left you
with three hungry moons
orbiting your ribs,
their tidal pulls
gnawing your name to bone.)

You fed them with your fingertips—
split your last loaf seven ways,
hid the crusts in your own palm
while they learned to chew your silence
into blame.

(No one taught you how to spin
gold from an empty fridge,
but you did.
No one praised the way your back
became their bridge—
only warned it’d break.)

Now their voices, grown and sharp,
carve verdicts in the kitchen air:
You should’ve—
Why didn’t you—
We needed—

(They don’t remember
how the rent clung to your throat like a noose,
how the bus fare in your pocket
was always theirs to lose,
how their fathers’ taillights
were the only gifts they sent.)

Mother of the unappeased,
your hands still mend their wounds—
though they hand you the knife
and call it love.
Your crime?
The sky you gave them
had no father-shaped clouds,
and they’ve spent their lives
howling at the sun
for casting shadows.

dedicated to P in Austin

Every Petal Has Its Price

by gRj

She loved in dollar signs,
each act of kindness
a receipt waiting to be signed.

Look, her hands would say,
as they pressed bills into palms—
See how the light catches
the halo of my giving.

A year of her love
was a year of ledgers:
flowers tallied against apologies,
dinners weighed by their cost,
never by the silence
that followed the first bite.

(Even the poor knew her name—
how she’d linger after handing them a twenty,
waiting for the God bless you
like a comma in her script.)

Oh, R*
your heart is vast as a department store,
bright and full of price tags.
You donate to feel the echo
of your own echo—
Saint R*, so generous, so kind—
while the rest of us starve
for something you can’t buy:
a love that doesn’t
keep change.

-Catharsis

Nya’s Two Fathers

by gRj

She was born of stolen whispers,
of love that slipped between the seams—
a secret bright as morning,
a truth too sharp to dream.

The first man held her tiny feet,
kissed her brow before she slept,
built her castles out of maybes,
promised more than he could keep.

(He did not know the mother’s hands
would fold like tides, withdraw like sand—
or how she’d wield their child one night,
a key to turn his lock just right.)

The second man signed her name
in ink that bled through every page,
claimed her laughter as his heirloom,
wore his fury like a cage.

But when the first man dared to speak,
to bare the mother’s twisted game,
the second met him in the street,
hands like hammers, voice aflame.

(And Nya, woken by the sound,
learned young how love can shake the ground.)

Oh, child of tangled, splintered roots,
no man could give you all your due:
one begged for peace and lost his chance,
one stormed the dark to keep his stance.
And you? You grew between the cracks,
a rose that neither hand gives back.

The Keeping of Light

gRj

I still believe—
not in the lies they wore like perfume,
but in the way my hands,
though scarred,
still cup hope like a match
in a windstorm.

Yes, I love too loud.
Yes, I trust the map
before I check for cliffs.
But this is not weakness—
it is the stubborn art
of planting gardens
in a world that prays for rain.

Let them call me reckless.
Let them say I burn too bright
for my own good.
I have known the heat of a thousand false suns
and still, my skin remembers
how to glow.

One day, a woman will stay
as true as her first laugh.
One day, the love I give
will not be a question
but an echo returned
in the same language.

Until then, I practice
the sacred act of falling
and rising—
not as a fool,
but as a tide
that knows its own worth
even when the moon lies.

The Letting Go

gRj

At first, I am stone—
all edges and warnings,
a cliff face carved with no and not yet.
But you? You arrive like weather:
soft hands, softer laughter,
a promise of sun after drought.

(And I forget.
I always forget.)

The days stack like kindling.
Your voice becomes the flint.
I burn so slow I don’t notice
the fire until my skin
smells like sacrifice.

Here is where you change:
The jokes grow teeth.
The silences thicken.
Your love, once a lantern,
now a flickering conditional.

I stay too long—
not because I’m weak,
but because I keep digging
for the woman I met
in the ashes of the one you became.

The leaving is never clean.
It is a bone reset without anesthetic,
a name scraped from my ribs.
But I do it.
Again and again,
I do it.

And if my heart is a map
of all the exits I ignored,
at least I finally learn
to walk through them.